ETC exhibit, 2023

Each year, electronic textile camp has an exhibit showing participants' work. The exhibit allows participants to share work with each other and provides a space to share with the public what has been made during camp. 

The work participants can bring to share with the cohort can take on many forms such as a work in progress, an experiment, or a complete piece.

The range of objects shown in the exhibit reflect the range of expertise the participants bring to the residency.

Research as 3D-printed fashion: a reversible punch needled bucket hat by Ashley Del Valle Morales (she/her)

This artifact is a product of my research project, PunchPrint, which reimagines textile production through computational design and 3D printing. This reversible bucket hat is a prime example of the expressive creation possible when integrating traditional textile craft with digital fabrication. This artifact combines a flexible 3D-printed fabric tailored for comfort and style with punch needle embroidery. What distinguishes this piece from traditional punch needle is that it’s dual-sided aesthetics are both visible, with one side of the hat featuring a lively textured design, while the other offers a more defined and vibrant appearance. This reversible design allows you to effortlessly adapt your style to different occasions.

11 x 6 x 6 ( inches)

Materials : white TPU filament and 100% cotton yarn 

2022 

Credits and acknowledgments: Mert Toka and Alejandro Aponte (co-developers of the PunchPrint technique)

Cloud by Althea Rao (she/her)

“Cloud” is such a romantic name that data facilities go by these days. Clouds are soft, moist, unpredictable, constantly shifting shapes, familiar, relaxed, Joni Mitchell-ish. Meanwhile, data centers are hard, cold, dry, striving to be efficient, extremely logical, with 24-7 security and surveillance. The entire world’s Instagram memories—photos and videos we upload to the cloud—are hosted in 17 Meta North America data centers. Yes, 17 data centers in North America. Do you know where they are or what they look like? "Cloud" is a felted woven rendition of a data center based on a satellite image from Bing Map of a Meta data center in New Albany, Ohio. I don’t know if any of my IG images or videos are stored there, or somewhere else. Those media files contain my memories. They will forever be my memories even when my own biological brain stops hosting them. I think about these data centers from time to time.

26 x 17 x 17 inches

Materials: Natural and synthetic fibers, plastic, video, LED lights

2023

Credits and acknowledgements for video: Tsourounis, Dimitrios, Kastaniotis, Dimitris, Tzoumanikas, Panagiotis, Andrianakos, George, Panagopoulos, Orestis, Kazantzidis, Andreas, Theocharatos, Christos, & Economou, George. (2023, August 2). DeepSky dataset: A new benchmark for ground-based cloud classification using all-sky images. Irish Machine Vision and Image Processing Conference 2023 (IMVIP2023), University of Galway, Ireland. https://doi.org/10.5281/zenodo.8208505

Arthritic Decay by Daniel Ryan Johnston (he/they)

Inspired by my own experiences with Psoriatic Arthritis, this sculpture visualizes the inflammation and pain caused by the arthritis while also depicting my fears of future damage from stress and diet.  As the inflatable continues to press against the embroidery stitches, the glue that gives the threads their structure weakens overtime.  

This work consists of two pieces; one wearable glove and one stationary sculpture.  For this exhibit, the glove is placed on a black molded form of my hand alongside the sculpture.  The glove consists of an outer layer made of black leather (not pictured) that conceals an inner layer made of purple neoprene, an Arduino IOT33, Neopixels and silver conductive fabric tape.  When worn, the glove sits roughly 3 inches below the wrist and extends down to just past the first set of knuckles, exposing the fingertips.  Stitched on top of each knuckle are gold beads (not pictured) that mark the underlying fabric buttons.  

The sculpture consists of an embroidered hand supported at the wrist by a 13in wooden rod  connected at the bottom to a white base (6in wide x 8in deep).  The hand sculpture is posed in a relaxed or limp position; delicately from the wrist.  Extending from the center of the wrist, as though an artery, is a clear silicone tubing running down the support and to the base of the sculpture.  The tube is connected to a micro-controller with several pneumatic valves (Programmable Air).  

The hand sculpture is made from pink flesh and bone colored threads originally machine stitched on water soluble fabric.  Using an x-ray overlaying a glove pattern, I stitched the bones of my hands and wrist into the fabric then filled in the rest with pink flesh colored threads.    The final embroidery thread hand sculpture encases an off white nitrile glove.   When activated by the wearable glove, Neopixel LEDs illuminate inside the glove in addition to the glove inflating when signaled.   

15in x 12in x 15in 

Materials : Wearable Glove - Leather, Neoprene, Polyester Mesh, Protoboard, Conductive Thread, Neopixels, Nano 33 IoT;  Embroidered Hand Inflatable - Nitrile gloves, Programmable Air, Wood, Silicone Tubing, Embroidery Thread, Neopixels, Nano 33 IoT 

2022

Credits and acknowledgments: This piece was developed as part of my graduate studies at NYU Interactive Telecommunications Program.  Specifically, Introduction to Soft Robotics with Kari Love and Connected Devices with Tom Igoe.  Additional support and guidance from Programmable Air creator, Amitabh Shrivastava.


Day After The Dream Died by josh graupera (they/them)

Before the island of blockadia met its untimely demise, its residents whispered memories, loves, laughs, and sounds into a series of glyphs for future ancestors. 

infused with everything ever seen

embraced by the hands of what will be

and the painful repeat of the cycle

Dimensions: 24” x 36” 

Materials: acrylic, paper pulp, paper mache, electric conductive paint, found objects, aluminum foil, mylar, dyed fabric, Playtron midi controller 

2021

Credits and acknowledgments: Playtron by Playtronica, Koala app by elf studio

Soft Accordion by Roxanne Hoffman (she/her)

A chunky knit, hand held “accordion” that modulates frequency when the stretch sensors are expanded and contracted, and adds a tremolo effect via capacitive touch. The sound and synthesis functions are generated using Mozzi, an audio synthesis Arduino library.

The idea for the piece came during Dogbotic’s Thread and Circuits workshop where I first learned to make a stretch sensor by knitting with conductive thread. The idea leverages the soft flexibility of the knit to create a skeuomorphic reinterpretation of an accordion.

6” x 12” x 6” 

Materials: Yarn, conductive thread, ESP32 feather, jumper cables, various electronic components

2023

Credits and acknowledgments: Thanks to Chelsea Rowe and Alessandro Maoine for their guidance


The Tiger by Allison Russell

This tapestry was designed to push the boundaries of a manual domestic knitting machine. The graphic was originally designed in Photoshop and then translated onto multiple different punch cards. The pattern was executed with a combination of fairisle, slip stitch, and manual knitting.

2 x 3 feet

Materials: Yarn and copper 

2019

Woven Vessels by Victoria Manganiello (she/her) 

Inspired by the history and heritage of ornate gardens and botanical presentation, this object is a design work-in-progress and explores the cycle of 'indoor and outdoor.’ Drawing inspiration from historical rug designs and their surprising functions, it is woven with double cloth Jacquard and designed to contain living plants.

1 x 1 feet 

Materials: Polyester and cotton

2023

Ancient Futures (Workshop Weaving Samples) by Nicole Yi Messier (she/her) and Victoria Manganiello (she/her) 

Generated during a workshop in December 2022 held at Culture Hub NYC entitled “Ancient Futures Workshop: Weaving with Fiber Optics.” Participants learned how to create a basic weaving, then bring their weaving to life by introducing light and fiber optics into their textile piece. 

Various samples; approximately 8 x 5 in. each. 

Materials: Polyester and cotton, Optical Fiber

2022

You Stir the Pot: Recipes for Change Organized by Victoria Manganiello (she/her) 

You Stir the Pot: Recipes for Change is an anthology of recipes written by artists around the world. Each combines instructions for creating food with instructions for creating social change that pull from the authors’ personal and cultural stories. Processes like fermentation, marinating, boiling, chopping, blending, etc. inspire us to think about social and collective actions like organizing, protesting, educating, attending, listening, sharing and donating. 

Riso printed in fluorescent orange and purple on white and yellow paper and spiral bound. 74 pages. 

8.5 in x 11 in.

2021-2023

Credits and acknowledgments: Published by Snake Hair in 2023; Including contributions from Adam Zucker, Alex Goldberg, Alexia Venot, Amanda Martinez, Cait Jones, Carolina Arévalo Karl, Celine Pelce, Cocinas Alterinas, Elisabeth Lorenzi, Emily Small, Emma Akmakdjian, Erin Mcquarrie, Ha Halpert, Inyoung Yeo, Jacqueline Stojanovic, Jamie Boyle, Jeanne F. Jalandoni, Jennie Maydew, Julia Walk, Kaitlin Bryson, Laura Splan, Lin Qiqing, Liza Stark, Marlene Herberth, Maya Minder, Nicole Yi Messier, Otto Rummukainen, Petar Sapundjiev, Ping Yu Pan, Sareh Imani, Sherry Muyuan He, Stina Baudin, Thr34d5, Whitney Newton, Will Montgomery, Winnie Van Der Rijn, Zito Tseng, Victoria Manganiello, Marlene Herberth, Maya Minder.

The Domestic Machine by Victoria Manganiello (she/her) and Nicole Yi Messier (she/her)

Images and excerpts from a documentary film called "The Domestic Machine" as a slideshow on an ipad: “The Domestic Machine” is a documentary film taking a glimpse into the world of open-source education and devoted camaraderie located in online craft and knitting communities. A niche craft technique with a cult following tells a larger story about the power of the internet to foster community and to connect otherwise disconnected people across the globe.

Credits and acknowledgments: A Craftwork Collective & Indigo Collective Project

There once was a strange little planet called Earth.  by Sneha Ganguly, she/they

This greenhouse senses the ecologies of locally foraged biological cultures and materials, through various methods of preservation, fermentation and extraction.   Each experiment, held in glass vessels found around Vicksburg, breathes, grows and decays over the course of exhibition, and together creates a unique microcosm and climate - an interplay between CO2, humidity and temperature, essential controls for cultivation and fermentation of fungi and bacteria.  Environmental sensors capture this empirical data and translate it into color and light.

2.3 x 1.5 x 5.3 feet

Materials: Greenhouse tent, laser etched mushroom paper mask (Ganoderma Sessile), oyster mushroom spawn, paper waste, hemp hurds, humidifier, assorted glass vessels collected in Vicksburg, kombucha, gloves, cultures, ferments, pigments & extracts from wild foraged plants and fungi in Vicksburg, lake water, environmental sensors, textile, led strips, microcontroller.

2023 (WIP)

Lace Petal by Layla Klinger (all pronouns)

A petal-shaped object, about 4.5 feet in height. Made of interlaced optic fibers, it is patterned like an open diamond grid. All of the fibers illuminate light in shades of pink, ranging from magenta to a pale petal.

4.5 x 2 x 0.5 feet 

optic fibers, LEDs

2023


Radial Weaving No. 1 by Kari Setsuko Love (she/they)

This work-in-progress is an exploration of materiality both in terms of pushing the limits of what a flexible LED filament was intended for, and the boundaries of how far it can be manipulated before it breaks. At a micro scale, each pinpoint of light within the filament is a hard LED laid in a line, which means the strand can only bend in the gaps and cracks when forced. Navigating these properties, the object becomes a collaboration between the artist and the material. Previous experiments weaving LEDs led to the choices both of the radial shape and to blend the light directly with metal for powering the lights and strength.

10" x 4" x 4"

Materials: LED Edison Flexible Filaments, metal, electronics, wood 

2023

Undressing On Dress/On Dressing Undress by Sasha de Koninck

The Intermedia Art, Writing, and Performance PhD program (a practice-based-research PhD program) encourages students to pursue alternative formats for their dissertation work. While pursuing my PhD, I have been making books and zines to accompany my projects, and so I decided to present my dissertation as a series of handmade books and zines. The writing and projects represented in these books only covers a fraction of the work I have done during my PhD, but the texts get at the deeper crux of my research–why I am interested in the body, and why I am interested in clothing–as well as presenting select projects.  The pieces presented in my dissertation show the evolution of my practice, from making strictly electronic textile works to diving into the deeper questions driving my research, to different research projects (Cloth as Witness and The Research Lab of Ambiguous Futurology). 

Research Zines: Field One, Field Two, Lover’s Eye

World Zero: An Interview with Dr. Amy Twigger Holroyd

To: You, From: Future

Cloth as Witness

Unlearning the Body from the Garment

Missed Connections

Undressing On Dress/On Dressing Undress

2019-2023

eTextile Swatch Library by Liza Stark

Swatches are the physical embodiment of a skill, technique, or concept to share with other practitioners. They are a critical tool and methodology in eTextiles as our emerging discipline depends on shared knowledge. In this way, the swatch becomes a pedagogical manifesto. This library of swatches is meant to serve as both an educational toolkit as well as a source of aesthetic and functional inspiration. The blue swatches contain inputs, the white and black swatches contain connectors and materials, and the coral swatches contain outputs in the form of LEDs. Each swatch demonstrates examples of different construction techniques for embedding electronics, positioning electronics as a material within a craft realm rather than outside of it.

Materials:  Muslin, assorted conductive threads and fabrics, Velostat, Eeontex, LEDs, metal beads, safety pins, snaps, paracord, pins

2018

Credits and acknowledgments: Inspired by the work of Kobakant

How to Sew a Patch Pocket by Lara Grant

Somewhere along the way we have lost some connections to the garments we wear including our perceived value of a single garment. Clothes are bought more frequently and discarded just as quickly. How to Sew a Patch Pocket is an educational kit that walks someone through the act of sewing a pocket onto a t-shirt in the hopes to build a meaningful relationship between the wearer and the garment. All while teaching sewing techniques and historical tidbits of how pockets have evolved, who wore them, and how they relate to social structures. The zine includes fabric to cut the pocket from and the shirt provides visual guides to help with placement. The items shown in the exhibit are prototypes of the kit that is currently being developed.

Materials:  organic cotton knit, cotton twill, digitally printed fabric inks, vellum bristol, Risograph prints

Variations over the past 10 years - present

Credits and acknowledgments: Independent Publishing Resource Center (IPRC) in Portland for making their Risograph printers so accessible.